Shared Light
Explanation
This image works because of the natural V shape created by the trio, which gives structure and direction to the composition. The light coming from the top left reinforces that movement, while the darker right side helps keep the viewer inside the frame.
The specular highlights in the background add depth without becoming distracting, and the subtle rim and halo lighting help separate each mushroom while keeping them visually connected.
The specular highlights in the background add depth without becoming distracting, and the subtle rim and halo lighting help separate each mushroom while keeping them visually connected.
Gear Used
– amaran Ace 25c + Grid
– Adaptalux Flexible LEDs
– Canon R5 + RF 100mm Macro
– Adaptalux Flexible LEDs
– Canon R5 + RF 100mm Macro
Settings
Camera: Canon R5
Lens: RF 100mm Macro
Aperture: f/2.8
Shutter Speed: 1/100s
ISO: 400
Focus stacking: ~50 images
Lens: RF 100mm Macro
Aperture: f/2.8
Shutter Speed: 1/100s
ISO: 400
Focus stacking: ~50 images
Breakdown
I started by placing the camera slightly below the mushrooms and pointing upward to reveal the gills and separate the trio from the background.
Since the background was a bit too bright, I underexposed by about 1 to 2 stops to keep it under control.
I removed a few dry leaves around the subject and slightly in the background to clean up distractions and create better separation.
I placed light (1) behind the mushrooms and filtered it through dead leaves to mimic sunlight coming from the top left and create natural specular highlights.
Then I added light (2) from the left side with a diffuser to create a soft base light shaping the mushrooms.
I introduced light (3) slightly behind to create a subtle rim light and help separate the left side of the trio from the background.
I placed light (4) further back on the right side to create a soft halo on the caps and balance the overall light direction.
I adjusted the intensity carefully to avoid blowing highlights since the mushrooms were slightly reflective.
I refined the composition by making small adjustments until the background highlights supported the subject without becoming distracting.
I captured around 50 images at f/2.8 and stacked them in post to keep the subject sharp while maintaining a soft, dreamy background.
Since the background was a bit too bright, I underexposed by about 1 to 2 stops to keep it under control.
I removed a few dry leaves around the subject and slightly in the background to clean up distractions and create better separation.
I placed light (1) behind the mushrooms and filtered it through dead leaves to mimic sunlight coming from the top left and create natural specular highlights.
Then I added light (2) from the left side with a diffuser to create a soft base light shaping the mushrooms.
I introduced light (3) slightly behind to create a subtle rim light and help separate the left side of the trio from the background.
I placed light (4) further back on the right side to create a soft halo on the caps and balance the overall light direction.
I adjusted the intensity carefully to avoid blowing highlights since the mushrooms were slightly reflective.
I refined the composition by making small adjustments until the background highlights supported the subject without becoming distracting.
I captured around 50 images at f/2.8 and stacked them in post to keep the subject sharp while maintaining a soft, dreamy background.
Quick Tip
Take a moment to look at your scene on the back of your camera and ask yourself if anything is pulling more attention than your subject. If it is, either remove it or control it with light.
Final Thoughts
It’s a simple subject, but it really felt like unity… and that’s what I like about this one. It just brings me back to that moment on the hike.